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\par

Suggestive Gestures

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"Suggestive\par Gestures" is a new feature length experimental film by David Finkelstein

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Created and\par performed by David Finkelstein and Cassie Tunick

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Music, editing,\par and visual design by David Finkelstein

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Total running\par time: 75 minutes

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Traveling along\par the path of a labyrinth, the viewer passes through a series of extremely\par diverse landscapes, which are created through lush animation, evocative\par orchestral music, and rich dialog, in which words are used as much for rhythm\par and texture as they are for meaning. A man and woman guide us on this trip,\par taking us past gently falling Mondrian paintings, violent car crashes and\par bombing raids, and a pair of dancing, multicolored boxes, among many other\par settings. Based on an improvised performance, 'Suggestive Gestures' leads us\par gradually and indirectly towards a mysterious animal, hiding in the center of\par the maze.

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Director David\par Finkelstein characterizes his film as a 'landscape.' Words, images, and music\par are all used to evoke a series of changing textures and an evolving inner\par landscape, which the viewer is free to enjoy in the same way one enjoys a\par captivating view: by savoring the spatial and color relationships, and becoming\par immersed in the mood and emotional flavor of each scene, without necessarily\par expecting the experience to make statements or tell a story. The words, all\par improvised by Finkelstein and actress Cassie Terman, become physical objects in\par the scene, where they literally create the landscape and generate the volatile,\par changing moods of the piece. 'Gertrude Stein was the first one to suggest that\par language could be used to create a landscape, rather than tell a story,' says\par Finkelstein, 'and her idea is still proving to be a fruitful way to make\par performances and films.'

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Despite the\par abstract nature of the film, many viewers will still see implicit meanings in\par the imagery. The image of the labyrinth and multiple references to the myth of\par the Minotaur call to mind the Jungian notion of the need we have to confront\par the monster within us, in order to embrace our whole nature and become free.

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A poet’s journey though corridors of liquid geometry where words\par float and echoes are visual; where portals open onto morphing gardens with\par unlimited horizons.

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—Mike Kuchar

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The interaction between your visions, the music (fantastical), and the\par wandering improvisers — a 21st century Dante and Beatrice adrift in the\par shifting rising falling swirling cacophony of the Collective Unconscious\par — achieve a sly sophistication of rhythmic cohesion as startling as it is\par graceful.

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– Antero Alli

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An oneiric, surprising odyssey through seductive, hyperreal and\par overwhelming spaces that float somewhere between the screen and your body.\par Piloted by expansive and elastic improvisation, the work unfolds into\par continually unpredictable and astonishing new territories.

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-Jesse Malmed, Nightingale Cinema

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Click for Biography

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Click for Filmography

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Click for\par Reviews

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For more\par information about viewing, distributing, or screening this film:

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David\par Finkelstein

\par \par david@lakeivan.org

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(718) 858-7836

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gestures_mondrian

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faint

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glorious

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grid

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heavy

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bears

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